Saturday, March 10, 2012

Special Event - Showcase at 1.Shanthiroad.


The Auroville Potter's Showcase is the first in a unique quarterly series at 1.Shanthi Road, the gallery for contemporary visual art, owned by prominent artist and Bangalorean, Suresh Jayaram. It is a special initiative to curate and present affordable contemporary lifestyle design for homes in Bangalore city.  Through this effort, Showcase intends to revive the intimate relationship that once existed between us and handmade objects of beauty used in our daily lives.

Each revolving Showcase will present seasonal themes  ranging from pottery to textiles, accessories and other lifestyle products at regular intervals. They will each be curated by an expert in the category.


Press : Bangalore Mirror

 The first Showcase presented a collection that includes incense holders, cups, mugs, glasses, bowls, platters, tea sets and vases that are perfect for long leisurely summer evenings and al fresco dining.







 Conceptualised : Aliyeh Rizvi / Raghu Tenkalaya
 Curated : Adil Writer
 Produced : Arti Mundkur / Raghu Tenkalaya
 Display/ Design/Name : Aliyeh Rizvi
Image courtesy : Meera Sankar

Thursday, October 7, 2010

Writing - Deccan Herald ( middle )

My grandmother has a social life more active than mine. She's extremely busy. Her days are filled with a tea party to attend, someone to visit, being visited by someone, a religious function to go to, a wedding couple to bless or a dinner invitation. She runs her own home, supervises her garden, manages her own maid and walks every evening to chat with her sisters who live nearby. She is actively interested in who is marrying whom and which eligible young girl has been thrust into the marriage market and which aunt is on bad terms with which cousin and why. She is coping beautifully with the real estate/IT holocaust which is destroying Bangalore and never complains about traffic, how the city has changed, how many ‘outsiders’ there are and `where all those old, lovely monkey tops have gone'. She remains completely interested in life, in people, believes she’s eighty going on eighteen and refuses to be convinced otherwise. In short, she’s `going with the flow’.

But she’s not the only one. Sometimes a strand of silver or a wrinkled face may mark a life that’s been lived fully, but it could also conceal a spirit that says there’s still so much left to do. I know bright as a button seventy year olds who have birthday parties at discos, drive cross country up mountains and wear hues that would make a rainbow cross eyed.! Then I read about a sixtytwo year old grandmother selling her home and travelling the world on a Harley to fulfill a life long dream.

Many people withdraw - from life, living, learning, friends and family and even themselves as they start to approach old age. They shrink into their bodies. In short, they just give up. They sit back and wait to be `summoned’. Some fill each moment of today with cynicism, bitterness and regret or try desperately to cling to what’s gone.

Every phase we go through in life constantly creates new experiences and learnings that are relative to it. Reaching a stage where it’s all over or we’ve been through it all is therefore impossible. We’re never too old to enjoy family and friends, to notice how special our loved ones are, to celebrate not running with rats anymore, to splurge on ourselves, to finally stop and smell the proverbial flowers, to look good, to laugh, to cry during `Notting Hill,’ to secretly covet Christopher Egan or Mila Kunis, or to fall hopelessly in love.

Someone once told me “ hold on to this moment because we won’t be eighteen forever.” I think they were wrong. If our minds and bodies comply, we can be any age we want to be.Whenever.

 “Is there a secret potion tucked away somewhere ?”I asked my grandmother, wondering how she and her sisters had this constant access to the proverbial fountain of youth. "No " she said.

" There must be something ! " I persisted.

She then told me that their birth records were lost when in their teens while shifting homes. None of them could therefore remember when they were born or how old they really are.

" You see, " she said, " We just decided to be the age we FELT we were.”

Writing - Words


I saw a charming little movie the other day called `The Jane Austen Book Club’. Despite a clichéd ending where the protagonist - runs - desperately- to - the OOA ( Object Of Affection) followed by the usual public declaration of love, it struck a chord. Not just because I love Jane. It was about a group of women who form a book club, reading Ms. Austen to escape from the emotional tangles in their lives. In the process they discover characters they identify with who inspire them to find insights deep within themselves.

I can identify with that. Many have been the days where I curled up with a book and completely forgot where I was. I laughed, cried, thought and reflected, taking what I need to out of them. Some I still read every year, over and over again, re-visiting dearly loved old friends with great pleasure. Some are exciting new adventures into the unknown, waiting to be explored.

Books have always been my best friend. Sharp and witty, warm and comforting, informative, educative, showing the way, dispensing advice without talking down to or judging me, a great support in times of need, providing a laugh or two, wonderful to cuddle in bed with on a rainy evening, great company over a cup of tea and above all else, besides me for ever.

While we all know that books help extend our vocabulary, strengthen self expression and enhance our imagination, I read for pleasure, to learn or just to escape from my world for a while. I find it wonderful to transform words painted by a novelist into pictures in my head. Or even sounds that I like to roll around in my mouth - bluebird, starry sky, roundabout, waterfall or my favourites - mystical, magical.

Comic books just never did it for me. I could not bear to see images already shaped by someone else. I wanted to create them inside MY head. For me, words were and are everything. Words that are slowly dying in this increasingly visually led, technology driven world. Even while we speak, many are facing extinction, as are the values they represent.- honour, respect, dignity. Some were mutilated ferociously while still alive - duzz yur mum no yur gng 2 b at da party 2nite ? But I don't see anyone holding a placard in Cubbon Park shouting "Words are dying ". "Save the word ! " Nor is there a Society for the Prevention of Cruelty to Words.

I read all the classic at age fourteen. Dickens, Hardy, WM Thackeray, Austen, Bronte. While the classics are now read only in a literature class, outside it, a modern world that has never read one struggles to express itself with a limited vocabulary minus the realisation that speaking a language is very different from understanding its nuances and how to use them to advantage.

The art of flirting depended heavily on words.Men who `have a gift of the gab' as they say,  understood the delightful technique of repartee, how to give the perfect come back line, how to seduce by using only language.They always got the girl. But flirting too, is dead. Go on and write that obituary. Eloquently please.

Books introduced me to life. To other worlds. Cultures. They are the cheapest way to travel around Peru or anywhere else I fancy. I can taste a recipe without even cooking it. Fall in love with a man even if he does not exist in reality.

So when I feel alone I head to a bookstore and sit there, inhaling the familiar scent of paper. In time, I hear quiet voices whispering through pages. All around me are thoughts,expressions from the minds of other people. Some living, some long gone. They talk to me. Persuade me to reach out and pick them up. I submit and bury my nose in a book, inhaling paper and ink. I run my hand over a glossy hardbound cover. Trace an engraved title with my fingers. Follow the length of a spine, linger over binding. Then suddenly it washes over me. Happiness.

And I don't feel alone anymore.

Tuesday, October 5, 2010

Retail Communication - Native Place, Proprietor



( 2005 - 2008 ) Native Place

Positioning : A hippie-chic showcase for contemporary craft.

The product story - traditional craft re-contextualised into contemporary forms for the urban market .

Location : Koramangala /Museum Road, Bangalore.

Product categories :  An eclectic mix of lifestyle products spanning cushions, curtains, apparel, bags and footwear, candles, essential oils, soaps and incense, home accessories, pottery and more.

Supplier channels : Income generation groups, craft groups, young designers and first-time women entrepreneurs.

Scope of work :
  • Brand positioning
  • Visual Identity- Interiors/ Communication design /Display
  • Merchandising & Vendor development
  • Operations.

Monday, October 4, 2010

Special Events -Tharangini Studio


Background : Tharangini Studio, Bangalore is a well known block printing studio and cultural hub in North Bangalore set alongside the picturesque Sampangi lake. It is a vibrant cultural space where Indian art and culture is introduced to young audiences in a contemporary form through regular classes and workshops.

Brief : To introduce children to the various socio-cultural aspects of Dassara through art and craft.

Concept : The Dassara Mela at Tharangini was conceived as a week long art workshop introducing the festival to children (age 6 -12 yrs  )through various physical and folk art forms.

Day 1 : Mask making ( Part I )
Session : Choosing a character and painting on the primer.

Day 2 : Block Printing
Session : Block printing on fabric using blocks inspired by traditional festive Kolams drawn outside Indian homes on auspicious occasions.

Handout : Masks of India /Block Printing techniques

Day 3 : Festive Processions
Session : Making Paper thorans with Warli motifs depicting processions moving across the Thoran.

Day 4 : Creative Writing
Session : An introduction to mythological stories woven around Dasara, making icecream stick puppets to bring the stories alive.


Day 5 : Mask Painting.
Session : Choosing a character and filling in the details based on the mythological stories in previous sessions.

Day 5 : Festive Garlands
Session : Making colourful kite paper decorations and preparing the dance area.

 Through the seven days : Kalaripayattu Workshop : Three Avatars of Vishnu
Session : Exploring the stories and learning the postures : Avatars of Vishnu which were then correlated to the Vadivu's ( animal postures ) in Kalaripayattu, the martial art form from Kerala - Simha Vadivu ( Lion ), Matsya Vadivu ( Fish ), Varaha Vadivu ( Boar ). Day 6 : Traditional Festive Folk Dances
Session : Dandiya Raas
Hand out : Folk Dances of India
 

Scope of work :

  • Workshop design
  • Communication design : Workshop ( handouts ) & publicity material  ( posters )
  • Publicity & Media Co-ordination
  • Workshop Co-ordination / Execution with Tharangini Studio

    Progamme Management - Navachethana Trust


           2009 - 2010 : Programme Manager, Community Outreach
        
    •   Worked on the development of the new Navachethana visual identity and collateral.
    • Developed key concept and brief to architects for a Community Arts Centre at Vyasa   International School.
    •  Worked on an annual activity plan and executed community outreach initiatives accordingly -  Farmers Market, Summer Workshops and other calendar events.
    • Executed all design, promotional and media related communication material.


    Navachetana Trust Logo development
    Concept : Tree of Life ( Aliyeh Rizvi)
    Logo design  : Divya Venkatesh,
    Flat file folder design : Aliyeh Rizvi

     
    Navachetana Trust Brochure Design
    Concept : Flat folder with multiple hand outs ( inserts ) for the two individual programmes
    Vananjali ( Environment )
    Aralimara - Centre for Creative Exploration ( Culture )
    Layout & Text : Aliyeh Rizvi 
    Peepul leaf design : Divya Venkatesh.



    Community Building : Aralimara Centre for Creative Exploration :
    • Concept & Identity
    • Brief for Architects ( moodboard, space allocations for the Centre and Auditorium/ Studios, materials )
    • Brief /Strategy for Weaving & Pottery Studios, Organic Canteen



    Community Outreach : Monthly Farmer's Market 
    Concept : Eat naturally
    Event :  Nature Food Workshop








    Monthly Farmers Market II
    Concept : Grow your own food
    Event : Market / Roof top Gardening Workshop



    Community Outreach : Summer Workshop 2010
    • Workshop Design
    • Logistics Planning
    • Communication Design ( Press & Publicity Material )
     Communication Collateral :
    • Activity Plan and Calendar Design

    Special Events - Tales of Tenali Rama

     Project : Bangalore Little Theatre ( Fund raiser / Aug - Sept 2009 )
     Concept : Children's Theatre / Tales of Tenali Rama

    Scope of work :

    • Co-Scripting & Direction
    • Sets and Costume Design
    • Communication Design & Co-ordination  : ( Press & Publicity Material )





    Pre - Publicity : Stills for the Press Kit
    Location : Double Road, Bangalore.


    Total number of shows : 19.

    Gurunanak Bhavan -9 ( 50% capacity, seating 500 ),
    Rangashankara -5 ( Full house, seating 310 )
    Coimbatore : 5

    Written /Directed : Aliyeh Rizvi/Sridhar Ramanathan,
    ( adapted from the version by Vijay Padaki)

    ONLINE PRESS LINKS

    Time out Bengaluru
    DNA Bangalore
    Indiatimes.com
    Livemint.com

    http://iplextra.indiatimes.com/article/08Sgfq4fQqdtR
    http://www.livemint.com/2010/08/24195904/Tenali8217s-tales-with-a-tw.html
    http://www.hindu.com/2010/08/22/stories/2010082250420200.htm
    http://lite.epaper.timesofindia.com/mobile.aspx?article=yes&pageid=48&edlabel=TOIBG&mydateHid=14-08-2010&pubname=&edname=&articleid=Ar04801&format=&publabel=TOI
    http://www.deccanchronicle.com/tabloids/tales-different-era-266
    http://www.dramadose.com/tales-of-tenali-rama/http://bangalore.citizenmatters.in/articles/view/2325-tenali-raman

    Other writing for Theatre :

    • Earth Song ( Valley School, Bangalore ) : scripted/directed/performed at Chowdiah Memorial Hall
    • Mira &Akka, Brides of God : scripted/directed/ performed at Rangashankara, Bangalore
    • Magic Drum : scripted/ performed at Rangashankara, Bangalore
    • Antigone (Jean Anouilh) : directed/ Alliance Francaise De Bangalore
    • 5Women (Mahasweta Devi ) : Script adaptation